HELLO PARENTS~
NEXT WEEK - LESSON #5 is PARENT ATTEND, and tuition is due!
Last week I sent home "composition books" with everyone, to start writing their song ideas in. On the front of their booklet, their private lesson time for lesson #6 is written in. Some of you did not sign up, so I penciled in a time for you. If this time slot doesn't work for you, please let me know asap and we'll figure out something else. There will not be a regular group LPM class on Feb 10th - just individual private lessons where we will work on their composition piece. How is your student doing on their song? It would be helpful if each student comes to the private lesson with something they have been tinkering with. I can help them elaborate and complete certain things, but if they don’t even have an idea of what to do, it makes it a lot more time consuming and is more my idea than theirs.
Congratulations to Madison and Sophia for making it into the MINUTE CLUB!! I am so proud of these girls. I'll bet you there are more of you that are ready! Please come to class a few minutes early if your child is ready to be tested, or give me a call and we'll arrange a different time! Keep practicing those cards. Go through the deck 2 - 3 times a day!
Here is what we did during Lesson #4...
1. F Major Scale: (pg. 2)
The F major scale is a little more complex than the others, so it merits a little mom coaching. The left hand fingering is the same as usual, except the B is FLAT. The right hand is where the trickiness comes in! We went through this one individually in class. The rule to remember is they will never use their pinkie. (we called it the "stinky pinky") Start RH on F with finger #1 and progress up until you get to finger #4 (B flat). Then your student will pop the bubble with the thumb (finger #1) playing the C and finishing up with # 4 finger on F. As they come down the scale they will use this same pattern, only backwards. (4-3-2-1-POP OVER with finger #4 and play 4-3-2-1.)
2. Inversions: (pg. 6)
We have been talking and singing about TRIADS, CHORDS and ROOTS. Now we are ‘inverting’ them. This just means re-arranging them. The chord is still CEG, but C moves to the top, then the E moves to the top, then the G and you are in root position again. This is one of those concepts that has to be played and experienced before they get it. All of a sudden they will say, "Oh, I get it!" This could be after a few weeks of playing them.
3. Repertoire Songs: (pg. 10, 11 & 12)
Play hands together this week on page 10 and 11. Once this becomes easier, try the two handed marching style,block or broken chord in LH, depending on song instructions. Remember to sing while playing any song. We only have a few more lessons before we start to pass off the repertoire pieces, so make sure you are spending enough time to master each song. Once you have them mastered, don’t forget to review them.
This week’s homework: Theory Assignment # 4
Rewriting our triads is the goal of this week. Remember to jump the bottom note of the chord up on top. Don’t forget to draw the correct note; you can’t just place it on top of the triad, it must be the exact same note from below, just an octave higher.